Whether you consider yourself an amateur photographer, or you just want to create better family photos, there are many things you can do to get better photos. Here are some easy tips to use the next time you head out with your digital camera.
Even a beginner can take professional-looking photos - suitable for framing.
Be Prepared
Keep all your photography equipment ready for use. Collect everything you’ll need into one place. A camera bag is ideal, because it keeps all your stuff together and lets you carry it all with you. Everything in its place. A good camera bag will let you organize a miniature tripod, extra battereis, memory cards, etc. - even a plastic bag or waterproof housing to protect your camera in wet weather.
Hold your Camera Steady
Blurry photos are almost always the result of camera movement. Just your own unsteadiness, causes your camera to shake enough to blur your pictures.
So steady yourself and your camera before you take the shot.
Plant your feet firmly on the ground and tuck your elbows in close to your sides. Instead of using the LCD viewer, steady your camera against your forehead and frame the shot using your camera’s viewfinder. You can also steady your upper body by leaning against a wall or a tree. Or totally eliminate any camera movement by using a tripod.
Once you’re all set, gently press the shutter release in one motion. Pressing the shutter release too hard could jerk the camera downward.
Get Closer
One difference in “snapshots” and really great photos is the composition of the shot. Unless you’re shooting an outdoor landscape, you can improve most photos just by getting closer to your subject. Depending on the situation, you can physically move closer to your subject, or use the zoom feature on your camera for the same effect. Try to get within a few feet of your subject so you eliminate most of the background. You’ll like the results.
Take more Pictures
Even professionals take loads of shots of the same subject - to get just a few that they will use. With a digital camera, you can delete the images you don’t like, and only print the winners - so don’t hesitate to take several shots of the same subject. Change the angle of the shot. Get a little closer. Adjust the lighting.
Why not fill the entire memory card with pictures of your kid at the pool, or your daughter in her cap and gown? The more pictures you take, the better the odds that you’ll get a few shots that will really thrill you.
Vary the Lighting
Using natural light will give better skin tones when photographing people, so try not to use the flash if you don’t have to. Outdoor daylight shots are easy, but you’ll have to be a little more creative when shooting indoors. Try using the light coming in from a window for warmer tones than you would get using the flash.
Experiment with natural lighting. You can get stronger shadows by moving your subject closer to a window, and turning your subject can create more dramatic shadows.
Eliminate Red-Eye
Red-eye is the result of light passing through your subject’s eye and reflecting back. You’ll get it more often when using your flash, just because the light from the flash isn’t as diffused as natural light. So the first tip for eliminating red-eye is simply to avoid using your flash when you don’t absolutely have to.
Another way to reduce red-eye is to have your subject look anywhere but at the camera. This reduces red-eye because any reflection isn’t directed back at your camera lens.
If you have to use the flash, some digital cameras have a built-in feature to automatically remove red-eye. Use it.
Go for Candid
Instead of posing two (or more) people looking directly at the camera, get a shot of them interacting with one another. Even two people having a conversation is more interesting than having them stand next to each other facing the camera. Some of the best professional portraits have the subject captured deep in thought, with their attention focused inward, rather than on the camera lens.
It makes a more interesting shot. Your portrait will look more natural - less posed.
Create a Scene
Putting your subject in the center of a photo is just boring. You’ll get a much more pleasing result if you place your subject off center when you frame the shot.
This is a truly professional technique. Place your subject so that they occupy 1/3 to 1/2 of the total composition, but NOT at the exact center of the frame. Capture an interesting background object in the rest of the frame.
Anybody can practice these techniques. They’re easy and you’ll get better, more professional photos.
All About Enie
In summer of 1994, Enie started as freelancer, taking graduation pictures all across the town of Lilo-an, together with his father and siblings. At the same time people started asking him to do weddings, birthdays, and more. Learning many different curves of photography, he now finds himself taking wedding photos throughout Cebu and enjoys every minute of it.

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Thursday, August 12, 2010
A Guide To Buying A Digital Camera Equipment
How to Buy Digital Camera Equipment
There are so many digital cameras that it can be confusing trying to buy digital camera equipment. Here are some tips to help you decide which the best choice is for you and buy digital camera equipment that you will get the best results with:
• The first step before you buy digital camera equipment is to set a basic budget on how much money you want to spend. You do need to be realistic about the fact you won't be able to get the best of every feature, as you may have to make tradeoffs when you actually buy digital camera equipment.
• Your experience level has to have a big influence in your decision to buy digital camera equipment. There is no point in buying too much buy digital camera equipment than you can actually use. For a novice you should buy digital camera equipment that is point and shoot so that you don’t have to worry about manually changing any settings. Digital zoom is not as important a part in the process of choosing to buy digital camera equipment as you may first think. Basically it just means that the camera crops the picture and gives you the center piece of it. You do not need to buy digital camera equipment that does this as you can do it better yourself after you take the picture. You can usually move closer to the subject anyway and to buy digital camera equipment that includes an optical zoom can add a lot of unnecessary cost and weight to the camera. Of course, expert photographers will want to buy digital camera equipment that gives them more manual control over the exposure process.
• Next you need to consider what you will use your camera to capture before you set out to buy digital camera equipment. A fast shutter speed is necessary for moving subjects. You can also buy digital camera equipment that has special features to enable you to take multiple pictures in quick succession for high-action pictures.
• There are a number of helpful websites that give reviews on photographic products to help you decide on the best camera for your needs before you buy digital camera equipment. Of course, you can also ask friends and family about their digital camera choices. Price comparison websites are also essential to help you to buy digital camera equipment at the best possible prices. Remember that when you buy digital camera equipment there are often a list of extras that you may want to purchase, including batteries and memory cards.
Don't be tempted to go for a trendy-looking, colorful camera if you really want to buy a less cool looking one that does more of what you want. Make sure that you have got as many of the features that you wanted to have in the first place and haven't compromised too much on them for the sake of a few extra dollars. It is important to ensure that you buy digital camera equipment that you are happy with and enables you to take the photographs that you want.
There are so many digital cameras that it can be confusing trying to buy digital camera equipment. Here are some tips to help you decide which the best choice is for you and buy digital camera equipment that you will get the best results with:
• The first step before you buy digital camera equipment is to set a basic budget on how much money you want to spend. You do need to be realistic about the fact you won't be able to get the best of every feature, as you may have to make tradeoffs when you actually buy digital camera equipment.
• Your experience level has to have a big influence in your decision to buy digital camera equipment. There is no point in buying too much buy digital camera equipment than you can actually use. For a novice you should buy digital camera equipment that is point and shoot so that you don’t have to worry about manually changing any settings. Digital zoom is not as important a part in the process of choosing to buy digital camera equipment as you may first think. Basically it just means that the camera crops the picture and gives you the center piece of it. You do not need to buy digital camera equipment that does this as you can do it better yourself after you take the picture. You can usually move closer to the subject anyway and to buy digital camera equipment that includes an optical zoom can add a lot of unnecessary cost and weight to the camera. Of course, expert photographers will want to buy digital camera equipment that gives them more manual control over the exposure process.
• Next you need to consider what you will use your camera to capture before you set out to buy digital camera equipment. A fast shutter speed is necessary for moving subjects. You can also buy digital camera equipment that has special features to enable you to take multiple pictures in quick succession for high-action pictures.
• There are a number of helpful websites that give reviews on photographic products to help you decide on the best camera for your needs before you buy digital camera equipment. Of course, you can also ask friends and family about their digital camera choices. Price comparison websites are also essential to help you to buy digital camera equipment at the best possible prices. Remember that when you buy digital camera equipment there are often a list of extras that you may want to purchase, including batteries and memory cards.
Don't be tempted to go for a trendy-looking, colorful camera if you really want to buy a less cool looking one that does more of what you want. Make sure that you have got as many of the features that you wanted to have in the first place and haven't compromised too much on them for the sake of a few extra dollars. It is important to ensure that you buy digital camera equipment that you are happy with and enables you to take the photographs that you want.
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A Brief History Of Photography
For centuries images have been projected onto surfaces. The camera obscura and the camera lucida were used by artists to trace scenes as early as the 16th century. These early cameras did not fix an image in time; they only projected what passed through an opening in the wall of a darkened room onto a surface. In effect, the entire room was turned into a large pinhole camera. Indeed, the phrase camera obscura literally means "darkened room," and it is after these darkened rooms that all modern cameras have been named.
The first photograph is considered to be an image produced in 1826 by the French inventor Nicéphore Niépce on a polished pewter plate covered with a petroleum derivative called bitumen of Judea. It was produced with a camera, and required an eight hour exposure in bright sunshine. However this process turned out to be a dead end and Niépce began experimenting with silver compounds based on a Johann Heinrich Schultz discovery in 1724 that a silver and chalk mixture darkens when exposed to light.
Niépce, in Chalon-sur-Saône, and the artist Louis Daguerre, in Paris, refined the existing silver process in a partnership. In 1833 Niépce died of a stroke, leaving his notes to Daguerre. While he had no scientific background, Daguerre made two pivotal contributions to the process.
He discovered that by exposing the silver first to iodine vapour, before exposure to light, and then to mercury fumes after the photograph was taken, a latent image could be formed and made visible. By then bathing the plate in a salt bath the image could be fixed.
In 1839 Daguerre announced that he had invented a process using silver on a copper plate called the Daguerreotype. A similar process is still used today for Polaroids. The French government bought the patent and immediately made it public domain.
Across the English Channel, William Fox Talbot had earlier discovered another means to fix a silver process image but had kept it secret. After reading about Daguerre's invention Talbot refined his process, so that it might be fast enough to take photographs of people as Daguerre had done and by 1840 he had invented the calotype process.
He coated paper sheets with silver chloride to create an intermediate negative image. Unlike a daguerreotype a calotype negative could be used to reproduce positive prints, like most chemical films do today. Talbot patented this process which greatly limited its adoption.
He spent the rest of his life in lawsuits defending the patent until he gave up on photography altogether. But later this process was refined by George Eastman and is today the basic technology used by chemical film cameras. Hippolyte Bayard also developed a method of photography but delayed announcing it, and so was not recognized as its inventor.
In the darkroomIn 1851 Frederick Scott Archer invented the collodion process. It was the process used by Lewis Carroll.
Slovene Janez Puhar invented the technical procedure for making photographs on glass in 1841. The invention was recognized on July 17th 1852 in Paris by the Académie Nationale Agricole, Manufacturière et Commerciale.
The Daguerreotype proved popular in responding to the demand for portraiture emerging from the middle classes during the Industrial Revolution. This demand, that could not be met in volume and in cost by oil painting, may well have been the push for the development of photography.
However daguerreotypes, while beautiful, were fragile and difficult to copy. A single photograph taken in a portrait studio could cost US$1000 in 2006 dollars. Photographers also encouraged chemists to refine the process of making many copies cheaply, which eventually led them back to Talbot's process. Ultimately, the modern photographic process came about from a series of refinements and improvements in the first 20 years.
In 1884 George Eastman, of Rochester, New York, developed dry gel on paper, or film, to replace the photographic plate so that a photographer no longer needed to carry boxes of plates and toxic chemicals around. In July of 1888 Eastman's Kodak camera went on the market with the slogan "You press the button, we do the rest". Now anyone could take a photograph and leave the complex parts of the process to others. Photography became available for the mass-market in 1901 with the introduction of Kodak Brownie.
Since then color film has become standard, as well as automatic focus and automatic exposure. Digital recording of images is becoming increasingly common, as digital cameras allow instant previews on LCD screens and the resolution of top of the range models has exceeded high quality 35mm film while lower resolution models have become affordable. For the enthusiast photographer processing black and white film, little has changed since the introduction of the 35mm film Leica camera in 1925.
The first photograph is considered to be an image produced in 1826 by the French inventor Nicéphore Niépce on a polished pewter plate covered with a petroleum derivative called bitumen of Judea. It was produced with a camera, and required an eight hour exposure in bright sunshine. However this process turned out to be a dead end and Niépce began experimenting with silver compounds based on a Johann Heinrich Schultz discovery in 1724 that a silver and chalk mixture darkens when exposed to light.
Niépce, in Chalon-sur-Saône, and the artist Louis Daguerre, in Paris, refined the existing silver process in a partnership. In 1833 Niépce died of a stroke, leaving his notes to Daguerre. While he had no scientific background, Daguerre made two pivotal contributions to the process.
He discovered that by exposing the silver first to iodine vapour, before exposure to light, and then to mercury fumes after the photograph was taken, a latent image could be formed and made visible. By then bathing the plate in a salt bath the image could be fixed.
In 1839 Daguerre announced that he had invented a process using silver on a copper plate called the Daguerreotype. A similar process is still used today for Polaroids. The French government bought the patent and immediately made it public domain.
Across the English Channel, William Fox Talbot had earlier discovered another means to fix a silver process image but had kept it secret. After reading about Daguerre's invention Talbot refined his process, so that it might be fast enough to take photographs of people as Daguerre had done and by 1840 he had invented the calotype process.
He coated paper sheets with silver chloride to create an intermediate negative image. Unlike a daguerreotype a calotype negative could be used to reproduce positive prints, like most chemical films do today. Talbot patented this process which greatly limited its adoption.
He spent the rest of his life in lawsuits defending the patent until he gave up on photography altogether. But later this process was refined by George Eastman and is today the basic technology used by chemical film cameras. Hippolyte Bayard also developed a method of photography but delayed announcing it, and so was not recognized as its inventor.
In the darkroomIn 1851 Frederick Scott Archer invented the collodion process. It was the process used by Lewis Carroll.
Slovene Janez Puhar invented the technical procedure for making photographs on glass in 1841. The invention was recognized on July 17th 1852 in Paris by the Académie Nationale Agricole, Manufacturière et Commerciale.
The Daguerreotype proved popular in responding to the demand for portraiture emerging from the middle classes during the Industrial Revolution. This demand, that could not be met in volume and in cost by oil painting, may well have been the push for the development of photography.
However daguerreotypes, while beautiful, were fragile and difficult to copy. A single photograph taken in a portrait studio could cost US$1000 in 2006 dollars. Photographers also encouraged chemists to refine the process of making many copies cheaply, which eventually led them back to Talbot's process. Ultimately, the modern photographic process came about from a series of refinements and improvements in the first 20 years.
In 1884 George Eastman, of Rochester, New York, developed dry gel on paper, or film, to replace the photographic plate so that a photographer no longer needed to carry boxes of plates and toxic chemicals around. In July of 1888 Eastman's Kodak camera went on the market with the slogan "You press the button, we do the rest". Now anyone could take a photograph and leave the complex parts of the process to others. Photography became available for the mass-market in 1901 with the introduction of Kodak Brownie.
Since then color film has become standard, as well as automatic focus and automatic exposure. Digital recording of images is becoming increasingly common, as digital cameras allow instant previews on LCD screens and the resolution of top of the range models has exceeded high quality 35mm film while lower resolution models have become affordable. For the enthusiast photographer processing black and white film, little has changed since the introduction of the 35mm film Leica camera in 1925.
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